BCMS American Women Composers Concert

BCMS American Women Composers Concert



[Applause] [Laughter] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Laughter] [Applause] you [Applause] [Applause] [Applause] Oh [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Laughter] you [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] so a few words about waiting here the first momento mistress mine it's very cheerful and Williams music and it starts out after sounds like to keep the road are possible and then just kind of listen to sounds and ears back and like so that that's the which was mine and then the blue really changes of course with kaimoana downs ups that it's very introspective and more lyrical and then when they hear that last time used to stuff a lot of tour this is actually the text that the first title of the text is in her own and the second half is it needs to stop so I split the text into two pieces because I wanted to set it in two different ways so it's a very different mood from the first movement it starts out with kind of a precedent Eve style I think seen on Brad probably a lot of those very turbulent and then second part becomes re like [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] Oh [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] [Applause] you [Applause] [Applause] [Applause] you

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