What To Do If Artist Uses Your Beat With NO PERMISSION??

What To Do If Artist Uses Your Beat With NO PERMISSION??



what do you do if a song gets released and no one ever reached out to you whether their festival a boiler yeah I'm gonna give you the real scenarios man I'm gonna give you the real scenarios get lawyer who can work on the backend until until it's figured out so that's what I recommend it could be a little longer it can be you might not get a swift but you will maintain relationships it won't be as crazy you won't play out online and all don't go to Twitter yeah it's funny yeah I know what I know good really really really good attorney on New York younger guy names Adam Freeman Hey I just building something today just you put something out like on Twitter like oh this guy didn't pay producer again or whatever and it's like I don't blame him man I don't that's not probably I just can't I'm not really built that way but I don't I don't eat them and I'm like I'm sure that's efficient in some ways it is because it is like oh you ain't that public of the court of public opinion is really like sometimes the real court wants to clean that so it's like oh it's gonna happen like something's going something laughing yeah but you know I also feel like know where I'm from and just like you know the people I work in the industry say it gets real like I'm talking about siding law stuff like I'm getting the other side too and I just understand that like you know some dude who's not really about it you know going on line and talking crazy looking in that rap space like I'm not gonna advise that my god I'm not I'm just not gonna advise that like reduces well yeah I might advise that like here's a dude who produce got Mexico yo whatever you want to take it's like not okay you're not gonna do that like oh that's really it really is though I doubt really yeah but yeah I don't and also it's just like a yeah that's just the way it is let the I feel like you know at some point you just gotta like throw it on the back end and you know let someone else but you know in reality the rights to that record you could get that record taking down and I always tell people I'm not sure how beneficial that is because you probably wanted to stream if it's making money and you won't have you've got to produce your credit but now if you produce that record and you didn't get any there's no there's no agreement you didn't get compensated you can get that record take you now make you own part of that where there's no you can get that thing where you contact you like you can go straight to the sources like if you want to like you can go straight to the Apple musics you know Spotify TuneCore whatever it is like they get thought I need a lawyer dmz take DMCA takedown was like and then like is a conflict point now like you know both sides go back and for that to prove their argument I don't like that either just because like title telling me that gets nasty like it just gets it is also just like a it's it's it's like putting a gun in somebody's head it's like that sort of negotiation now you know you put a gun in somebody's head what you gonna do like some you gonna pull another it's gonna get nasty but you can't do that that's always last resort always like that's the last resort for me like you know if I've been negotiating on my end for a month and a half two months and the label sorta just and you know the producers or everybody Ron I can't Dennis like alright look the final straw game gave me no choice right like I'm gonna get that record what why why does he have to get to that point that part of you gets still just like that's what I'm saying man I feel like that's them trying to test to see how just test the waters kind of gauge yes you are yeah but I feel like a lot of time just like you don't got the budgets for it it's like the smallest that's only a little smaller label situation I feel like I don't really have him with the bigger bigger labels maybe there's some like stuff that they didn't know about in the production side that they you have to make them aware of that's different right it's like oh I actually did co-producer they said this and that they didn't know or you know I'm cool this may be the other producer was acting like he produced a whole record hmm that's but you know some of the smaller labels I feel I just don't got budgets and they try to just yeah they just do weasel dude they just cuz they they work in that space in the trap side where it's like a lot of people are just happy to get credit Yeah right like see see if they're happy with Disick really like it it's like you look weird for speaking out almost like that's trying to make it feel like yeah they'll try to make it feel like yeah so and then that's why I like we got lawyers like Adam Freeman who were like not we can go online there cuz like

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